DESK JOB REVIEW FRESH FROM SCOTLAND
Review by Neil K. Henderson
Knightswood, Glasgow G13 4SB, Scotland, U.K.
DESK JOB: SARAH IN OFFICE-LAND by Rod Marsden, ISBN 978-1-937769-14-7 Night to Dawn Books, P.O. Box 643, Abington, PA 19001, USA (www.bloodredshadow.com) 243 pp.
Set in the offices of a big Sydney business concern in the 1990s, DESK JOB, by former Masque Noir editor Rod Marsden, reads like staring through a hothouse window at a weird menagerie of mismatched captive fauna. Among the exotic and nightmarish metaphors for office ‘types’ – such as praying mantises (women ‘of a certain age’ out for blood at a sniff of male impropriety), dung beetles (sycophants to the mantises), hawks (upwardly mobile managers), caterpillars (semi-comatose top brass), mules (disregarded drudges) and butterflies (pretty young do-nothings) and their older, drabber moth counterparts – real human souls live out daily dramas in this infernal inversion of Alice’s Wonderland. Animal behavior is controlled by the government-imposed political correctness dictates of the period. No-one dares infringe the rights of a ‘protected species’. On the other hand, it’s open season on the native wildlife. Tensions mount. Fear, paranoia and madness ensue, until one employee is murdered by another while most are too busy watching their own backs to notice. It‘s the kind of mess you’d need a psychic investigator to work out.
Enter Sarah Hollingsworth, who’s seen it all already in a dream. She can read people’s minds to present the reader with psychological profiles and biographical insights into the group of characters under the microscope. (She even interviews the victim!) This lets her give the kind of non-judgmental overview that keeps things nicely in balance and stops the reader (and some of the characters) from totally losing the plot. She also provides a few surprises along the way with her own interaction among the forces of the mystical realm. It’s a testament to Rod Marsden’s easy style, that the whole unfolding kaleidoscope of animal imagery, social comment and dark fantasy reads with a page-turning immediacy that keeps the attention gripped until a satisfactory conclusion is reached. (Not so much a Who Dunnit, this, as a Why Dunnit.)
But that conclusion is not the end of the book. What Marsden does with the remaining third is to literalise the previously metaphorical types as living dream creatures, in a totally fantastical coda section reflecting back the Lewis Carroll motifs from a new perspective. Sarah here ventures through an interdimensional portal, like Alice’s looking glass, to interact with real mantises and beetles and a Queen of Hearts who wants to psych out the office workers visa computer consoles and hand-mirror gateways. A fast and furious fantasy adventure follows – ensuring the novel achieves a flying finish.
Sandwiched in between the episodic close-ups on specific cases in part one, collected quotes from contemporary Australian books on office psychology provide a comic Greek chorus to the developing drama. These interludes continue as a unifying factor through the second part. Here, the lika-lika bird (every conversation starts or ends with “Like a…”) rears her gorgeously plumaged head. She’s still young and uncorrupted, prior to landing that fatal office job. Her outside view is refreshingly alternative. There is also the graffiti-spraying mall rat, destined to become a mule, or even a hawk, someday.
It is difficult to encapsulate in a brief review the complex interplay of fantastical dream situations, figuratively represented actuality and actualised fantasy contained in DESK JOB. Odd magical moments come to mind, such as the vision of several ‘brown-nose’ dung beetles lining up to boil themselves in a cauldron because the praying mantis they worship likes soup. There’s also the annoying whistling man who appears in the office every so often, and is perfunctorily assaulted by a member of staff. Then there’s the cats which periodically pop through mirrors or get their tails pulled by startled mortals. Particularly amusing is the scene near the end of lika-lika birds all crowding round one such hand-mirror, convinced that the cat which just appeared was cleverly programmed in by the manufacturers. I can just see them haunting all the shops in Sydney asking for the mirrors with the pop-out cats.
Does that make sense? Not maybe on the face of things, but in the context of this curiously individual and delightfully engaging novel it makes perfect sense. If you don’t believe me, I recommend you take a psychic trip through the portal of its covers and experience it for yourself. DESK JOB is a book with “Read Me” written all over it.
Note: Neil K. Henderson cleverly ends his review with an off hand reference to the Alice books. Meanwhile Neil is busy on his own novels which are most curious and fun to read.
This entry was posted on August 23, 2012 at 12:59 am and is filed under Australia, Barbara Custer, birds, Butterflies, dark fiction writer, desk job, Glasgow, Great Britain, horror writer, Knightswood, Lewis Carroll enthusiast, Lyn McConchie's friend, Moths, mythology, Neil K. Henderson, Night to Dawn, Night to Dawn author, Published in the USA, pulp fiction writer, revenge, Romance, Scotland, set in Australia, Teresa Tunaley, Uncategorized, United Kingdom, USA, Writer with tags Alice in Wonderland, Australia, Barbara Custer, caterpillars, dung beetles, hawks, lika-lika birds, moths, mules, Neil K. Henderson, praying mantise, READ ME, Review, Review of Desk Job, Scotland, USA. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.